art gabriella

Hello! My name is Gabriella, and I am an artist working in painting and ceramics. I am also a teacher of art and art history.

Enquiries welcome for commissions, tutoring, collaborations.

art.gabriella.art@gmail.com
instagram: @art_gabriella
contact
A white ceramic object resembling a eyeball with black lines and a black streak on the lower part, set against a plain white background.
Two white ceramic vases with black veins, one taller and cylindrical, the other shorter and round, on a white background.
Three white ceramic spheres stacked vertically on a white surface, with black crack-like lines running through them, against an abstract painted background.
Close-up of a ceramic vase with a crackled glaze finish on a plain white background.
Cream-colored ceramic vase with a round shape and a large opening at the top, against a plain white background.
A potted plant with round green leaves in a white ceramic pot against a plain background.

Biography

I work as a ceramics technician in a studio in West London. This beautiful community studio is where I make and sell my ceramics, while most of my painting, drawing and photography process happens in my little flat or outdoors, locally in the UK and sometimes overseas.

Previously, I undertook an art foundation, an undergraduate degree in music and a post-graduate in education, then worked as a secondary school teacher. I have been working part-time as a freelance artist since 2014.

making art

My greatest joy is creating with my hands, and I believe that all human beings are made to make; be it with our hands, our words, our bodies, independently or interdependently. We are born to create and to engender human connection through creating. We are happier when engaging with our bodies and with the people around us.

“We are happier when engaging with our bodies and with the people around us.”

Like many sculptors and ceramicists, I love being muddy and having earth in my hands. For me, painting large-scale artworks and creating with clay are fundamentally similar because they both demand physicality. I engage my whole body - sometimes with a great effort - in order to make gestural marks with paint on a canvas, or to mould clay. Both demand movement; both are highly tactile; both can be intentional or spontaneous; responsive or proactive; gentle or violent.

“Painting and clay are fundamentally similar because they both demand physicality.”


My hope is that people can hold my art and understand the joy of using one’s body to create. Even better, that they too find their way to move, to listen, to observe, to imagine, to play, to make. Even better still, that they create stronger human  connections through the art they see and create. For example, connection to a friend over a cup of tea drunk from their handmade vessels; an internal connection to their own emotion of fear while drawing on a blank, white page; or perhaps agreeing with a stranger about the beauty of a painting. Ultimately, creating art is for engendering and exploring both internal and external connections and thereby a stronger, kinder internal and external world in which to live. 

“We are born to create and to engender human connection through creating.”

Hand holding a black ceramic mug with a textured design and a handle, featuring a glossy glaze drip effect in beige, cream, and brown tones at the top.
painting
ceramics
photography

Photography 

The camera is a tool with two intrinsic qualities, which I try to push to their full potential: cropping (or “selecting”) what’s in frame, and “flattening”, in other words compressing two objects that in real life may be one metre or a hundred metres apart, and creating the illusion that they are side by side. The thrill I get from photography is simple: playing with cropping and flattening, and seeking aesthetic balance with the most basic elements of art (line, shape, colour, tone).

Sometimes, my photographs stand alone; sometimes, they are part of a proactive, cyclic process that means I bounce between painting, ceramics and photography. For example, I might begin with a drawing of a person from life, then build that figure in clay, then a painting, then photograph those together, ready as inspiration for the next painting. The original painting and ceramics are flattened into a new, semi-abstracted image.

I use a second hand Canon 7D and EF 75-300 zoom lens. I was lucky to be gifted this camera as a teenager and have used it ever since.

photography
sketchbooks and studio
Part of a building with a window and a small gap showing trees outside.
A series of four sketches of abstract human faces and profiles with continuous line art style.
Two clay sculptures of human faces, one lighter and one darker, placed side by side on a table.
Two abstract white sculptures of human figures facing each other on a reflective surface against a plain white background.
Collage of abstract paintings and sculptures, with handwritten notes on paper background.
Two abstract sculptures resembling human figures on display in front of a colorful, abstract painted background.
Abstract painting with bold brushstrokes in shades of blue, orange, yellow, and beige.
Close-up of a hand holding a white cylindrical object with a small hole near the bottom edge.
A hand covered in white dust holding three small dental crowns, with a blurred background.

Daisy

There is a flower that marks most of my ceramic pieces, like a signature. The meaning is simple: when I was little, my Mum called me ‘Ella Daisy’, so the daisy is me. Initially, stamping pieces with a daisy symbol was spontaneous and not intended to last but, happily, it has stuck. 

ceramics
Abstract landscape painting with blue, green, and white horizontal strokes.

exhibitions and residencies

2025 - Solo exhibition (ongoing), The Clay Garden, London UK

2024 - Group exhibition Tea & Friendship, Space Studios, London UK

2022 - Faculty exhibition Exploration of Blue, Surrey UK

2020 - Faculty exhibition Revealing the Process, Surrey UK

2019 - John Byrne Award Steering Group, Edinburgh UK

2017-23 - Artist in Residence, Ensemble Pro Victoria, London UK

2017 - Solo exhibition, King’s College, Cambridge UK

2013 - Friends of the Royal Scottish Academy Art Award, highly commended 

2013 - British Royal Academy Online Summer Exhibition, selected artwork

collaborations


I welcome invitations to collaborate with all artists.

Previously, I have worked with dancers, musicians and visual artists, including Dalati (2025), Pineapple Dance Studios London (2022), Anatomie Studio (2022), Edinburgh Incidental Orchestra (2018-19), Ensemble Pro Victoria (2017-23), Alamire Scholars (2016-7), King’s College Choir and King’s College Music Society, Cambridge (2014-17).

contact
A set of five white ceramic bowls stacked in two stacks on a plain white background, with the stacks positioned slightly apart.